![]() ![]() I move stuff in and out there ALL the time. Because I couldn't decide what to put there. I have to admit having been the first in line NOT to use those. link edit / time switch : lot of underapreciated power within that button and quickly linking / unlinking time line and edit line for certain scenarios. ![]() On the fly / drop in the middle of the edit window / use in combination with the jog wheel etc. and trim scrubbing of course, even if it's just dropping the marker close to the edit point and then entering trim / scrub to fine tune.ĭid you know that the jog wheel follows the grid in grid mode ? Ever since it's been 'quantized' to the edit window zoom level it's been a fantactic tool to enhance navigating / scrolling up and down and horizontally / zooming in / out both vertical and horizontal. Įxplore what the jog wheel can do for your session navigation. Now think about what that can do when making selections to adjacent and more importanly to non adjacent tracks.Įdit groups, seperated from Mix Groups suddenly make more sense as well huh ? This pref can make your editing life A LOT easier. When this link is set to ON your controller track selection switch follows the software track selection switch. Specifically in combination with editing workflows. One of the most underapreciated functions on the controller imho. Here's a few off the top of my head I suggest you really dig into and think about what they can do for your particular editing workflow : There are quite a bit of editing functionallities on them as well and even though you will not be able to entirely get rid of a keyboard for that, as you guys already discovered yourself there's some great workflow enhancers directly on the controllers for editing as well. The primary use for these controllers is of course mixing. Hopefully, some of the veterans will really shed some light. I just started using the comping features of PT8 and find that the D Command sure helps with my work flow. This is useful for auditioning or precise selecting for punch ins.ĥ. precisely selecting regions for using the mark in and mark out with the wheel. arming and disarming tracks for recordingĤ. I know that these will be mundane to the seasoned D command users:ġ. The following are a couple of tasks that I use for tracking. I dislike the mouse more than the keyboard. When possible I force myself to do almost everything on the D Command. I moved over to PT about a year ago and got the D Command last fall. I agree that the D Command shines at mixing but would say that it just as strongly shines at tracking. I am a novice with D Command but still think that it is the best move that I have made with my recording setup in many years. I'd appreciate any thoughts on the subject. I entertained this fantasy briefly that I'd be able to do almost everything I needed on the board, but it's looking much more it shines at mixing, but everything else is better left at the keyboard-mouse level. I enjoy working all aspects of the production process, from composing-arranging all the way through to bringing it to the mastering guy. This isn't a sales question, I have one here that I'm working on. I'm trying to wean myself away from using the keyboard as much as possible, but I need to get a better idea of what limits I can expect. I was encouraged as I began looking into the trim-shuttle-navigation capabilities, but I'm not seeing very elegant ways of track comping, nudging regions, defining fades, etc. I get how it can be used for recording or mixing, but I'm still trying to see how far into the minutia of audio manipulation you can get with it. I'm still getting my head around all the reasons to use the DCommand. ![]()
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